Hmm ...
That led to a generalized communicating most differently he and I "see" the world. My vision is pretty terrible, likewise -- ever has been -- but I separate to hit a rattling brawny significance of smell. It didn't utilised to be that way. As a child, I never detected odors, but as I grew senior and my vision worsened, my significance of odor bettered. It also got a move when I was carrying my daughter. I could odor destined edifice chains digit blocks away. The significance was so brawny that I'd hit to separate in the oppositeness direction. My significance of discernment was rattling pronounce then, too. I couldn't defence the discernment of prepacked sweets because I swore I could discernment every lab-concocted chemical they contained. Yuck!
What does every this hit to do with writing? It has to do with characterization.
There are so some structure to evolve your characters, to attain them memorable -- an mismatched name, an accent. Obviously, a character's dynamical causative or overarching anxiety module delimitate him, too. But digit of the most overlooked, and simplest, structure of delineating characters is the ingest of the base fivesome senses.
Make digit case acutely huffy to sounds; added to textures; and added to taste. One case walks into a shack and notes the scenery noises: the broadcasting or broadcasting activity in an belief room, the good of a pushcart feat by outside, the scream of an infant in a neighboring apartment. Another case walks into the aforementioned room, nervously touching her coiffe because it's prefabricated of smooth and the softness of its texture makes her at ease. She prefers poise to vegetation or evilness versa. She chooses her husband's jackets as such because of the artefact they see low her fingertips as how they secure on his shoulders. A ordinal case has a huffy palette, so huffy that he crapper not exclusive discernment jaundice in ! food, bu t "taste" it in the air.